Tissot began working on this series the year after completion of four paintings, “The Prodigal Son in Modern Times”, which were first exhibited to enormous success, alongside the preparatory water colours, in a London gallery in 1882. They went on to be shown in world fairs in Paris and Chicago. Unlike artists of earlier periods who enjoyed depicting the prodigal son among the swine he was forced to herd to stay alive, Tissot only alludes to them indirectly as they exit the boat, and focuses instead on the intensely emotional reunion of father and son. Such was their popularity that a fairly large edition of the finished prints was produced by Tissot, 400 with letters and 100 before letters. His great care in preparing the plates is demonstrated by these working proofs.